Originally hailing from the musically diverse Washington D.C. area, Computer Paul aka Steve Shapero, was raised on a steady diet of go-go, hip-hop, reggae, and hardcore punk rock. D.C. hardcore shows were famous for having reggae bands (or even bands that played hardcore and reggae all in the same set), go-go bands, and punk bands like Fugazi all sharing the same stage in the same night.
The transition to the heavily dancehall-influenced sounds of Jungle in Montréal's underground dance music scene was a natural one in the early 90's. CP gave up his guitar and traded it in for 2 turntables and a stack of Suburban Base 12" singles. Arriving in NYC in 1996 before Giuliani had successfully outlawed all forms of public dancing, CP discovered the then-vibrant club scene which revolved around the city's well-known big room DJs like Louie Vega and Danny Tenaglia, as well as the countless unsung underground heroes that were the lifeblood of the party scene.
Together with friends Sean B, Thomas, and Chris Kazimir, CP started the Freeskool series of parties. In the late 90's, Giuliani had overseen the effective shutdown of all of NYC's smaller venues, forcing underground music to go deep underground. Freeskool got started as a series of "outlaw" loft parties in what were then unfrequented corners of Brooklyn. Each DJ in the Freeskool crew had a unique and completely different sound from the other DJs: Breaks, 2-step, House, Techno, and Jungle could all be heard in the same venue in the same night. This is where CP learned to rock a huge crowd and "take them on a journey".
The popularity of the party grew and turned into a bi-weekly event at a speakeasy in the Lower East Side. CP continued to hone in on a sound that had a solid foundation in the American mid-west (Chicago/Detroit) deep house sound, combined with a heavily percussion-influenced sounds coming from NYC. The constant call of Salsa in the streets of Brooklyn was to be a big influence in the CP conga-driven rhythms. CP became one of the tightest and most consistent mix-oriented DJs, earning the respect and recognition of the underground scene. CP has played at numerous venues in NYC, as well as clubs and one-off underground events in London (AKA Lounge at The End), Montreal (Blizzarts), Vancouver BC, and Seattle.
Following the collapse of both NYC nightlife and the economy due to 9/11, CP moved to the west coast and hung up the headphones for a long time, focusing instead on production. Teaming up with renowned Jazz vocalist Michelle Amador, he produced his first EP for BPSS. The track "Does It" appeared on the world-renowned Bagpak Selects series Vol. II. The EP covers diverse musical territory ranging from downtempo haziness, to UK soul, to classic body and soul style NYC house.
Following up on the critical success of the first EP, BPSS has just released the Westward Exansion EP, featuring 4 tracks of straight up funky disco house vibes without any of the fromage. These are the tunes that have all the elements to get a dancefloor moving, with disco edit and raregroove loops forward in the mix, backed by a solid foundation of congas and harder-hitting Detroit-house style drum programming. These are go-to tracks when you're flustered in the booth and need something to drop that won't let you down. Also features a super hot electro-ish remix by the likes of DJ Woodhead, from Vancouver, BC, Canada.
With all the excitement of releasing tracks, combined with the resurgence of good music, partially made possible by the amazing technology advances in both production and DJ'ing, CP has picked up the headphones once again and is rocking the world with his unique American sound, combining over 15 years of record buying experience and music knowledge with the unique live remix capabilities of Traktor DJ software. Check out his latest mixes on his podcasts, found at computerpaul.podomatic.com.